Discog

UNITED STATES OF BEING

Saddle Creek
Release Date: 6/5/2012

Namesake frontman Daniel Pujol lives in a strange world, all the time. Whether in college, on tour, in between jobs, or writing a record, he is getting by and getting weird in Nashville, Tennessee.

PUJOL arose from the ashes of MEEMAW in 2009 to carry on the Nashvillian ideals of DIY and self construction through adeptly crafted songs based firmly in meaningful lyrical content. It’s these motives and songs that have taken PUJOL from the basements of Middle Tennessee to stages across the country and have garnered notice from more than just those with their ear to the ground.

Releasing a plethora of singles and cassettes over the past two years on Jack White’s Third Man Records, Nashville’s Infinity Cat Recordings and Turbo Time Records among others, PUJOL has now partnered with Omaha’s Saddle Creek. Following the the critically praised Nasty, Brutish, and Short EP from last year, PUJOL finally has an official debut full-length ready for unveiling. UNITED STATES OF BEING continues on with PUJOL’s doctrine of trying hard everyday and ventures lyrically to a place that most contemporaries fail to reach. Addressing the current status of twenty-somethings in America’s present and capturing their shared dispositions, the album throws the brakes on “catharsis,” and begs the listener to decide for themselves how to answer the robot’s last question, “What is love?” With riff-oriented guitar playing reminiscent of greats like The Replacements and Beetlejuice-esque earworms, PUJOL now sits atop the fringes of the rock and roll and DIY vernacular.

Whether this strange world chooses to embrace PUJOL is of no matter, as the prolific frontman will continue to carry on as always – Taking Care of Business 24/7.

REVERSE VAMPIRE

Saddle Creek
Release Date: 4/21/2012

Originally released as a Record Store Day 2012 7″, “REVERSE VAMPIRE” is the first track from 2012′s album, “UNITED STATES OF BEING”.

Nasty, Brutish, and Short EP

Saddle Creek
Release Date: 10/18/2011

Continually shot out of a cannon, PUJOL contorted through his latest flaming hoop with the recording and release of the EP Nasty, Brutish, and Short. Moving at the speed of the ‘60’s, the EP becomes PUJOL’s 10th release in less than two years after acclaimed singles, full lengths and EPs on Third Man, Infinity Cat, Evil Weevil, Jeffrey Drag, Turbo Time and Velocity of Sound. This year, PUJOL left SXSW with the opportunity to make records on a wider scale of release, and scrambled together a skeleton crew of Nashville musicians and friends, in between tours, to make the deadline for a fall release. PUJOL utilized his attitude of “whatever works with whatever resources” as the creative anchor for the recording of the EP, even to the point of mixing it via text message while on tour in Canada during a marathon back-and-forth between himself and Battletape’s Jeremy Ferguson. Striving to turn these obstacles into creative opportunities, PUJOL sought to combine aspects of both home and studio recording into the sound of “something that really happened.” In his own words:

“The recording process reflects the material, it was basically done while hardcore-multitasking in between tours, school, previously booked sessions at Battletapes, and general life-madness. The process reflects the narrative and was recorded at the speed of my life, so it’s the immediate sound of something that really happened, it wasn’t made in a bubble, I can’t yet afford such luxurious suds. Ride the Tiger, Holy Diver.”

Nasty, Brutish, and Short focuses on fragmentation, compartmentalization, and the idea of cultural maxims dominating the individual’s ability to vocalize and interact with the external world, essentially being forced into speaking, what PUJOL calls, the “loudest person’s language,” which “only resembles truth because a lot of people heard it simultaneously. I wanted to stab at making a narrative that would cyclically feed back into itself, oscillating between the individual’s and the cultural lexicon. I finally got to assemble those songs together on a single release.” All throughout this unapologetically from-the-hip release, PUJOL marries a lyric of intent to the tune of the uncontrollable variables of a life in what he describes as, “E-merican Realism” that is sure to ensnare fans of rock and roll, as well as Rockwell.